About the Painting

Elements of Time

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If you’ve read some of my earlier posts, you’ll know that the high horizon line is a favorite compositional approach for me. I used it again in Elements of Time. As the title suggest, I was drawn to the visual effect of time, weather, and age on surfaces. Texture, of course, is always an element in my paintings, and a close-up examination rewards you with a worn lusciousness that begs to be touched.

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Elements of Time is composed of many layers of earthy colors and glazes that enhance the painting’s depth. Above the horizon are layers of paler tones built on one of my favorite materials, gauze (detail below), anchored underneath with an irregular row of gold vertical raised “rods” that march across the division between dark and light. Splatters in red orange, blue, and ecru complete the composition. I used my favorite square format, which creates a sense of stability.

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Elements of Time is painted on a 20 x 20 gallery-wrapped deep canvas.You can see it in a contextual photo here. Check out the FAQ page to learn how you may purchase this or any of my paintings.

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All art is copyrighted and may not be reproduced without express written permission. Copyright 2016 Laura Hunt

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About the Painting

Hey, what time is it?

This post will focus on a series of small paintings I call the Time of Day. Small and intimate, these four paintings are my expression of the range of atmosphere and emotion I have felt as the day moves through its various moods.

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Midnight: dark and mysterious with the Milky Way reigning over the night sky, evoking a sense of wonder.

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Morning: full of hope, dewy, lush and green, pale sunshine casting an optimistic glow as I rise, sip a cup of coffee, and start my day.

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Midday: hot summer sun climbing into the sky, swirling solar storms washing out the barely blue dome, sending me to the fridge for something cool.

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Sundown: Riotous colors over a serene landscape, memories of the grassy rolling plains of Central Texas and an end to my chores for the day before heading inside for supper and homework.

Each painting was created using acrylic paint on a 12” x 12” standard canvas, and is wired ready to hang. They can be arranged as shown in context here, in a square configuration, but other arrangements are equally effective. You decide! Learn how to purchase this series or any painting of your choice on the FAQ page.

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All art is copyrighted and may not be reproduced without express written permission. Copyright 2016 Laura Hunt

 

 

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About the Painting

Strength with sweetness

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I wanted to create a painting with a sweep of color in the composition, something that might invoke a wave, or a transition from something powerful to something  still strong, but different in character. I began by laying down texture and covering it with strands of blue, various shades on top of one another. As the piece evolved, it became clear that there would be a field of pearlescence, the top right section in the view above. (Oenomel can be hung effectively either horizontally or vertically.)

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I began to add some warmth by overlapping reds, pinks, yellows, oranges, yellow–candy colors, I thought. I unified things by laying down the cool ocean colors alongside the candy colors. Some pearly gems appeared, like pops of jewelry. I built layer upon layer, finalizing the painting with splashes and splatters of contrasting colors–white, dark and medium blues, and whatever felt right at the time.

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The hardest part of creating this piece came in naming it. (Can’t seem to go with “Untitled.”) As I often do, I search my “Word of the Day” app, and stumbled across the word “oenomel,” which means “strength with sweetness,” like wine with honey. Perfect! Done!

Oenomel is a large painting, acrylics/mixed media on 20″ x 60″ gallery-wrapped canvas. As mentioned above, it can be installed vertically or horizontally, according to your preference. To see it both ways in context, click here and scroll down a bit in the Large Paintings section. Learn how to purchase this or any painting of your choice on the FAQ page.

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All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt


 

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About the Painting

Ocean wetness

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Ocean colors dominate Deep Water, with deep blues, sky blues, aquas and turquoises, blended with watery greens that all cooperate to immerse the viewer into the ebb and flow. Strips of topographical ocean maps collaged into the painting reinforce the wetness with their torn edges and shades of aqua.

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I created a highly textured section at the bottom that brings to mind the mystery of the ocean floor. The top section recalls the docks and piers made by human hands. If you look closely, you will see wave shapes I stamped into the design on handmade paper for a whimsical note. I think of them as a treat for those who take the time to dive into the experience of this painting. Final splatters of red, white, pale blue, and almost black blues offer the vitality that creatures contribute to the life of the sea.

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In planning a painting with water as the subject matter, I wanted to get beyond literal repetition of wave shapes. Each flowing form is different from the next, creating an overall impression of pattern, but with the constant change of  pattern elements. All this was developed over an underlying structure of textural marks that I find a necessary element in my work.

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We human beings seek out bodies of water. Rivers, lakes, ponds, oceans, even puddles, are places where we renew out souls. This tall, narrow painting creates the opportunity to dive deep into peace, cleansing, and regeneration. It’s well-suited to inhabit a narrow vertical space in your home or office, and to remind you of your favorite ocean dreams and seaside memories.

Deep Water is an acrylics/mixed media painting, 20” x 60” on gallery-wrapped canvas. See it in context here, and learn about the purchase process on the FAQ page.

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All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt

 

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About the Painting

Revealing my Crosswise process

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A passion for texture is a major motivator for my work. Laying down texture is my go-to first step. That’s where I consider the composition of the piece, playing with the depth, the character, and tactile qualities that will guide what happens next. I’ve created a number of paintings using layered stripes, sometimes horizontally, sometimes vertically, to produce exciting clashes abutting and layered on top of each other.

In Crosswise, I laid down my texture—well—crosswise, parallel with the shorter side of the canvas. While painting the stripes in the same direction might have been pretty, I wanted a tension at play. So instead, I painted the layers of stripes vertically, in direct opposition to the underlying texture. The result is a rich vibration that you can see in the detail photos here as the brush skips over the ridges.

16379-crosswise-detail-4-loThe painting progresses from the cool greens and blues of fields and streams at the bottom to the warm reds, oranges, and yellows of sunshine and flames at the top. Gold gem-like dots punctuate the painting’s verticality and provide a surprise to be found by the viewer.

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But nothing is perfect! Nature causes decay and corrosion on objects, which this painting expresses with the worn-away passage at the top. Random splatters top off the painting with spontaneous exuberance, a contrast to the relative discipline of the underlying structure.

Crosswise is painted on standard gallery-wrapped 22 x 28 canvas, and is ready to hang. See the painting in context here.

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All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt

 

 

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About the Painting

Harmony and conflict, high and low

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Mesa Whirlwinds is another in a group of paintings based on the compositional structure of a high horizon line, as if viewed from a low place. There are four textured swirls, with the top two intersected by the horizon line, that speak to the harmony—or conflict—of the high and the low. Whirlwinds are both earth and sky, as dust and dirt are blown about, blurring the distinction and causing me to catch my breath.

Weather and the elements have taken their toll, wearing away the surfaces to reveal the past represented by the pentimento (images, strokes, or forms that have been painted over) present both above and below the horizon. (By the way, “pentimento” is one of my very favorite arty words!) Turquoise and earth-tinged colors are evocative of tribal lands, with jeweled “buttons” providing surprise anchors that, somehow, keep everything from blowing away. Random paint splatters provide animation to an otherwise very stable, peaceful image.

Mesa Whirlwinds is a 20” x 20” mixed media painting on gallery-wrapped canvas. Visit Gallery: Middle Works to see Mesa Whirlwinds as it might look in a home or office. (Scroll down a bit.) See my FAQs page to learn about the easy purchasing process.

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All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt
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About the Painting

Prevailing Winds

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Prevailing Winds is one of a group of paintings expressing the sense of being in a low place viewing a high horizon line. Honestly, I don’t think too much about the origin of most paintings before I begin, but afterwards I try to reflect on the why of it all.

One image from childhood surfaces in my memory rather frequently. It’s the picture of having been sent by my parents down the hill to one of the poultry barns on our Central Texas farm to do a chore. It would be right at sundown, and having completed the chore, I would walk back up the rutted, rocky hill to the house toward dark but friendly silhouettes, background bathed in the setting sun’s glow.

The multiple trees in this painting come simply from my love of pattern. Certainly not from a childhood memory, because there are seldom that many trees together in a row in that part of Texas, at least not in natural settings. Commonplace though, especially in regions farther west, is the leaning of trees shaped by wind and weather. The place in this painting really doesn’t exist except on this canvas. I have no intention of depicting specificity. I am simply creating objects that express something for me.

Prevailing Winds is a small piece, only 24″ x 8″, painted with acrylics and mixed media on gallery-wrapped canvas. The textures, crusty and random, form the underlying structure. Earthy golds, rusts, and greens are accented with metallic gold, all bathed in a final layer of ecru, gold, and red splatters. Visit Gallery: Small Works to see Prevailing Winds as it might look in a home or office.

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@SeptArtist

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All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt
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