About the Painting

A Penny’s Worth of Sparrows

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I’ve long been a fan of embossing, a process I used in my graphic design days to raise a logo from the paper’s background on business cards and letterheads. It’s a classy look with a tactile element, one I enjoyed creating for my clients. But how could I achieve a similar effect with paint and canvas?

About a dozen paintings ago, I stumbled onto hot glue as a means to create a raised line or shape. I applied it in My Jupiter, Heartstrings, Prevailing Winds, and a few others. Okay, there was my beloved embossed look! So as I plan this new painting, hot glue raises its sticky hand, volunteering as the go-to medium for rendering the stylized tree that almost fills the large canvas. I plug in the glue gun and start drawing with it. No turning back now!

With the tree complete, I divide the canvas into three unequal sections. At first, each section is well defined, but I don’t want them to stay that way. I blend layers and layers of paint, and with each application, I come closer to the blurry transitions I want. Quinacridone red violet, turquoise, and Pacific blue play well with each other, their coolness contrasting well with the warm ecrus and oranges above the horizon. Metallics play a strong supporting role in this painting, adding not just a silvery surface sheen, but a depth as well.

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My image transfer birds cooperate nicely as I bond them to the canvas. The painting feels almost finished, but a little, well, naked. Splatters in compatible colors do the job and clothe the canvas with its final layer.

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Titles can be challenging, but with a little searching, I found this passage from Matthew 10:19: “Are not two sparrows sold for a penny? Yet not one of them will fall to the ground outside your Father’s care.” A comforting message.

A Penny’s Worth of Sparrows was created using acrylic paint, hot glue, and image transfer on a 40” x 40” gallery-wrapped canvas. You can see it in context here, along with the two other paintings in the series thus far.

Contact me if you’d like to give this or any of my other paintings a good home. I can also produce museum-quality gicleé prints of some of my larger pieces. They come at a lower price than the original, and are available in sizes 36” x 36”, 30” x 30”, and 24” x 24”.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted and may not be reproduced without express written permission. Copyright 2017 Laura Hunt
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About the Painting

Birds on a Wet Lawn

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Birds on a Wet Lawn is first in a series of large paintings featuring birds on a high horizon line. It’s the first time in a while that I’ve included an objective element in an otherwise non-objective piece. I’ve explored the subject of birds in the past, and you can probably count on a re-appearance from time to time.

There are so many reasons to include birds in a painting—their beauty, their freedom in flight, their uninhibited motion, their oneness with the environment. In this case though, I believe I was expressing a memory.

I’m careful to keep my lawn organic, not wanting chemicals endangering the pets and people who enjoy my yard, or to drain into our soil and water. So one of the organic products used to keep the grass healthy is molasses. Yes, molasses, in a pellet form. When this aromatic product is applied to the lawn, there’s a delightful gathering of neighborhood birds of all kinds, enjoying a fragrant feast. It’s a small memory, but a pleasant one, that is captured here.

Now for my process. As usual, I applied the texture first, with mostly random horizontal grooves, with some concentric arcs interspersed throughout the lower three-quarters of the design. The paint follows the texture in places, but in others, it skips across like a stone across the water. You’ll see the effect when you examine closely.

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The birds themselves were originally created from stamps that I carve out of rubber. For this painting, I took that technique a step farther by stamping the images, scanning them into my computer, printing them out, then using an image transfer method to apply them to the canvas.

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Green shades and tints are predominant, enhanced with deep blues, turquoise, and some yellow and white. The upper portion has a hazy effect, with white raining down over the birds. The entire painting is finished with red, orange, and blue splatters.

Birds on a Wet Lawn is 40” x 40” on deep gallery-wrapped canvas, wired and ready to hang. You can see it in context here, along with the two other paintings currently in the series. I’ll write about them in future posts.

Contact me if you’re interested in owning this or any of my other paintings. I can also make museum quality prints of Birds on a Wet Lawn available at a lower cost, and in several sizes smaller than the original.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted and may not be reproduced without express written permission. Copyright 2017 Laura Hunt


 

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About the Painting

Leaves letting go

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Last Leaves celebrates the intersection of fall and winter, the remnants of warmth greeting the waning light of winter, and the prospect of a wintry mix in the forecast. The leaves that have hung on for dear life at last release their color and their grip with a sigh. A jumble of manmade characters intrudes; it reminds me of the urban streets in my Fort Worth, Texas, neighborhood that benefit so much from the gift of shade during our intense summers.

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The background is largely a soft, wintry gray, with bursts of amped-up yellow. Wet-sanded leaf shapes reveal the faded turquoise, red, and orange underneath, and strips of vintage maps. The energy in the change in weather is expressed with a layer of splatters in white, turquoise, and black.

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Last Leaves is painted using acrylics/mixed media on a 24” x 24” standard wrapped canvas. You can see it in context in the Mid-Sized Paintings section here, and learn how to purchase this or the painting of your choice on the FAQ page.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt

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About the Painting

Ocean wetness

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Ocean colors dominate Deep Water, with deep blues, sky blues, aquas and turquoises, blended with watery greens that all cooperate to immerse the viewer into the ebb and flow. Strips of topographical ocean maps collaged into the painting reinforce the wetness with their torn edges and shades of aqua.

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I created a highly textured section at the bottom that brings to mind the mystery of the ocean floor. The top section recalls the docks and piers made by human hands. If you look closely, you will see wave shapes I stamped into the design on handmade paper for a whimsical note. I think of them as a treat for those who take the time to dive into the experience of this painting. Final splatters of red, white, pale blue, and almost black blues offer the vitality that creatures contribute to the life of the sea.

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In planning a painting with water as the subject matter, I wanted to get beyond literal repetition of wave shapes. Each flowing form is different from the next, creating an overall impression of pattern, but with the constant change of  pattern elements. All this was developed over an underlying structure of textural marks that I find a necessary element in my work.

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We human beings seek out bodies of water. Rivers, lakes, ponds, oceans, even puddles, are places where we renew out souls. This tall, narrow painting creates the opportunity to dive deep into peace, cleansing, and regeneration. It’s well-suited to inhabit a narrow vertical space in your home or office, and to remind you of your favorite ocean dreams and seaside memories.

Deep Water is an acrylics/mixed media painting, 20” x 60” on gallery-wrapped canvas. See it in context here, and learn about the purchase process on the FAQ page.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt

 

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