About the Painting, art process, elements of art, Pattern in art, studio practice, Uncategorized

Why collage?

It’s likely that one of your early art creations as a child was a collage. As teenager or adult, you may have created a vision board from stacks of magazines. Armed with glue stick and scissors, you searched, cut and glued until you achieved a representation of your ideas. Collage—what an accessible and enjoyable medium!

The word comes from the French word “coller,” meaning “to glue.” Pablo Picasso and his cohort Georges Braque were among the first to make serious use of paper or wood elements in their work. They opened the door for other artists to use this versatile technique. You might enjoy learning about later collage artists here.

I love collage, too. During one period of my art career, I created illustrations and greeting cards entirely from cut paper glued to illustration board. Cowboy Ballerina became part of a poster celebrating the Texas Sesquicentennial. (Even back in the 90s, I must have had a thing for polka dots.)

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Cowtown Ballerina

When I turned to watercolor as my preferred medium, it seemed only natural to lay down strips of vintage maps over the paint as I explored mixing my media. Aspen Energy surprises and entertains by using map strips for tree trunks in a grove.

Abstract watercolor painting, aspen trees, blue, silver, green, vintage maps, stamping, aspen trees

Aspen Energy (in private collection)

In 2015 I began working in acrylics. It’s no surprise that collage elements appeared in this work as well. I create most of my own collage elements, plotting out checks, dots, lines and other patterns, sometimes on white paper, at other times on paper in hues compatible with the color palette. Vintage maps still appear from time to time too, as well as old images from my family collection of photos.

So what’s the appeal of collage? While it’s largely an intuitive choice for me, there must be something behind that, so I began to consider what collage brings to the work. You may have other ideas, so you’re invited to add to the discussion. I’ll start with these three.

Collage brings the opportunity for abstraction. Laying on patterns at any phase of the painting compels me to think more deeply about not just the composition but also how the patterns contribute symbolically to the work. Rather than painting parts of the composition, I prefer the surprise and expressiveness collage endows. In Red Terrain, overlapping stripes suggest gullies and rocks. In Yellow Hat, patterns bring to mind tote bags and architectural features.

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Red Terrain (details here)

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Yellow Hat (details here)

Collage equals experimentation. Paper scraps can be shifted around and tested before committing. Do stripes work better than dots? Are checkerboard patterns the best choice? Would a strip of a vintage map work well here? In Coffee for Two, the answer is “all of the above.”

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Coffee for Two (details here)

Collage contributes tactile qualities. Paint applied to a surface is obviously a tangible material. The layering on of other elements such as paper patterns, vintage maps or even strips of acrylic skin ramp up the texture and materiality of the art. In Summer Peak, strips of maps and patterns plus rough handling of paint played the dominant role in deepening the experience of ruggedness.

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Summer Peak (details here)

Are you a collage lover? What is your favorite work of art that uses this expressive technique? Share its appeal for you in the comments below. And thanks for reading.

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Join Laura Hunt on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.
All art is copyrighted by Laura Hunt, and may not be reproduced without express written permission.

 

 

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About the Painting, Body of Work, studio practice

What do those lines mean, anyway?

If you appreciate or collect art, you know that the more you understand about the work, the deeper your experience of it. You might want to know the story behind the painting or sculpture, or be curious about the process that brought it to life. Knowing the various elements of art-making is another way to heighten your enjoyment of the work that’s before you, and maybe even help you articulate why you like—or don’t like—a certain work.

To set the stage, here are the seven elements required to create art: line, shape, form, value, space, color, and texture. Some artists use all of them in a given work, some may only use two or three, but each artist has her own way of employing the elements and choosing what expresses her intent. What brought this topic to mind was that, in reflecting on my own work, I noticed my own repeated use of the element of line. That’s what I want to explore with you today. And since my own work is handy, I’ll use it for examples.

Birds on a Wet Lawn: Earth-Bound

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The high horizon has black birds lined up, going about their bird-like activities, but all earth-bound on the same horizontal plane. This is an exercise in horizontal-ness. (If that’s not a word, I’m coining it now.) Horizontal lines communicate stability and serenity here. Conflict and disharmony are at a minimum. Green lines get thicker, then thinner, then thicker again, twisting ever so slightly as they converge with some blues and a little white with accents of yellow-orange. All move in the same direction. The lines also express the concept of landscape, but a careful, manicured one, not that of a wilderness. You would want to hang Birds where you’d like a sense of calm, with generous space around it.

Strong: Energy and Action

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Virtually all the lines in Strong are curved, long, arching thrusts of action. It is the opposite of serene! The arcs cross at multiple intersections; they clash, compete and collide. There’s an assertiveness about it, supported by the predominant reds that cross the gold and green lines. A trinity of overlapping circles express wholeness and unity, contrasting with all that dissonance. Strong possesses an energizing vibe fitting for a home’s more social spaces.

To Be Continued: Reaching Up

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Like horizontal lines, vertical ones can suggest stability since they are perpendicular to the earth. But there’s something more there, a reaching upward to the heavens. Here they hint of the natural world—trees or grass or stems of flowers. Suggestive of a landscape, but a woodsy one, the green lines contrast with the more organic ones we might see in a garden or the woods. To Be Continued would be at home in an intimate space where you want a natural, even inspirational touch.

You may have different interpretations than my descriptions above –abstract art lends itself to multiple personal opinions–but understanding any artist’s use of line can boost that interpretation–and help you arrive at a deeper appreciation of the work you are experiencing.

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Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted by Laura Hunt, and may not be reproduced without express written permission.
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