About the Painting

Ocean wetness

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Ocean colors dominate Deep Water, with deep blues, sky blues, aquas and turquoises, blended with watery greens that all cooperate to immerse the viewer into the ebb and flow. Strips of topographical ocean maps collaged into the painting reinforce the wetness with their torn edges and shades of aqua.

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I created a highly textured section at the bottom that brings to mind the mystery of the ocean floor. The top section recalls the docks and piers made by human hands. If you look closely, you will see wave shapes I stamped into the design on handmade paper for a whimsical note. I think of them as a treat for those who take the time to dive into the experience of this painting. Final splatters of red, white, pale blue, and almost black blues offer the vitality that creatures contribute to the life of the sea.

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In planning a painting with water as the subject matter, I wanted to get beyond literal repetition of wave shapes. Each flowing form is different from the next, creating an overall impression of pattern, but with the constant change of  pattern elements. All this was developed over an underlying structure of textural marks that I find a necessary element in my work.

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We human beings seek out bodies of water. Rivers, lakes, ponds, oceans, even puddles, are places where we renew out souls. This tall, narrow painting creates the opportunity to dive deep into peace, cleansing, and regeneration. It’s well-suited to inhabit a narrow vertical space in your home or office, and to remind you of your favorite ocean dreams and seaside memories.

Deep Water is an acrylics/mixed media painting, 20” x 60” on gallery-wrapped canvas. See it in context here, and learn about the purchase process on the FAQ page.

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All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt

 

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About the Painting

Revealing my Crosswise process

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A passion for texture is a major motivator for my work. Laying down texture is my go-to first step. That’s where I consider the composition of the piece, playing with the depth, the character, and tactile qualities that will guide what happens next. I’ve created a number of paintings using layered stripes, sometimes horizontally, sometimes vertically, to produce exciting clashes abutting and layered on top of each other.

In Crosswise, I laid down my texture—well—crosswise, parallel with the shorter side of the canvas. While painting the stripes in the same direction might have been pretty, I wanted a tension at play. So instead, I painted the layers of stripes vertically, in direct opposition to the underlying texture. The result is a rich vibration that you can see in the detail photos here as the brush skips over the ridges.

16379-crosswise-detail-4-loThe painting progresses from the cool greens and blues of fields and streams at the bottom to the warm reds, oranges, and yellows of sunshine and flames at the top. Gold gem-like dots punctuate the painting’s verticality and provide a surprise to be found by the viewer.

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But nothing is perfect! Nature causes decay and corrosion on objects, which this painting expresses with the worn-away passage at the top. Random splatters top off the painting with spontaneous exuberance, a contrast to the relative discipline of the underlying structure.

Crosswise is painted on standard gallery-wrapped 22 x 28 canvas, and is ready to hang. See the painting in context here.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt

 

 

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About the Painting

Prevailing Winds

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Prevailing Winds is one of a group of paintings expressing the sense of being in a low place viewing a high horizon line. Honestly, I don’t think too much about the origin of most paintings before I begin, but afterwards I try to reflect on the why of it all.

One image from childhood surfaces in my memory rather frequently. It’s the picture of having been sent by my parents down the hill to one of the poultry barns on our Central Texas farm to do a chore. It would be right at sundown, and having completed the chore, I would walk back up the rutted, rocky hill to the house toward dark but friendly silhouettes, background bathed in the setting sun’s glow.

The multiple trees in this painting come simply from my love of pattern. Certainly not from a childhood memory, because there are seldom that many trees together in a row in that part of Texas, at least not in natural settings. Commonplace though, especially in regions farther west, is the leaning of trees shaped by wind and weather. The place in this painting really doesn’t exist except on this canvas. I have no intention of depicting specificity. I am simply creating objects that express something for me.

Prevailing Winds is a small piece, only 24″ x 8″, painted with acrylics and mixed media on gallery-wrapped canvas. The textures, crusty and random, form the underlying structure. Earthy golds, rusts, and greens are accented with metallic gold, all bathed in a final layer of ecru, gold, and red splatters. Visit Gallery: Small Works to see Prevailing Winds as it might look in a home or office.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

@SeptArtist

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All art is copyrighted and may not be reproduced without permission. Copyright 2016 Laura Hunt
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