About the Assemblage, Inspiration for Making Art, My process, New Art

Transforming stuff: a process

Building assemblages requires a lot of stuff, stuff I collect at estate and garage sales, stuff friends give me when they’re cleaning out closets, stuff I find at my local recycling store, and even the stuff from my own kitchen drawers. Assemblage-building requires a good inventory of flotsam and jetsam, and there’s never quite enough.

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I’d recently collected several vintage books, one entitled When Yesterday Was Young. It became the “starter dough” for this three-dimensional piece. The doll parts made me think of childhood. I found two small wooden boxes, one a little larger than the other. The smaller one fit perfectly on top, and has such lovely dovetailed corners; I knew I had to use it. The doll’s head would fit great on top (with an armature for invisible support), but her long tresses had to go. A pearly pin became a tiara atop the new shorn hairdo that fit my vision. 18447flowers-Detail-To draw attention to the wonderful expression on the face, I created a background of sorts using part of a man’s paisley tie. Some things you can’t explain.

 

 

 

 

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A heart-shaped box fit perfectly inside the bottom box. To further the idea of childhood dreams the book title hints at, I attached a smaller “princess” doll’s head inside and surrounded it with some dreamy vintage crocheted lace. The smaller box on top became a framed shadow box for some lovely flowers from an old costume jewelry piece. I attached red disks from an abacus-like toy to a dowel I had painted; this nicely filled the space between the top and bottom boxes. With boxes and book secured to each other, I painted a striped pattern around the front edge of the bottom box, relating it to the striped dowel and adding visual interest.

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I constructed armatures for the doll’s arms to secure them. Once attached, the arms begged to hold something. The large vintage marble in the right hand reminded me of the earth—big blue marble and all–and the sense of holding the future. That pleased me a lot! But the left hand needed something too; empty just didn’t feel right. My search ended when I found a little metal heart that may have been part of a necklace. It speaks of childlike love, open and ready to share.

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You can see the completed assemblage here.

I hope you’ve enjoyed learning how this piece came about. The process may sound simple, but it’s not nearly as clear-cut as it seems. There’s a lot of searching and digging for compatible and meaningful pieces that contribute to the concept. Sometimes a piece will stay incomplete on my workbench until the next step reveals itself, which may take days or even weeks. But it’s the discovery and surprises inherent in creating this type of work that make it so satisfying to my artist’s heart.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted and may not be reproduced without express written permission. Copyright 2018 Laura Hunt

 

 

 

 

 

 

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Body of Work, New Art

Going small: a wee little personal project

My sketchbooks are a mess. I don’t pick up the same one every time I need one. The scrawlings inside range from thoughtful drawings of vacation scenes to spare scratches that vaguely map out my next abstract painting, with doodles and pattern exercises in the mix. Utilitarian, yes. Cohesive, no.

Last week I came across this lovely little blank book that had been stashed on a studio shelf. It’s a 3.5-inch square book of 100% post-consumer waste paper, an artifact of my graphic design days, most likely a sample left by a paper company rep. For some reason, it called to me, launching a personal project totally unrelated to my paintings or assemblages. Just something to satisfy the soul at day’s end, and push different buttons than those triggered on a daily basis in the studio. The project? Fill this little book with something akin to a body of work, diminutive though it may be.

The first assignment I gave myself was to draw a different face every day for a month. So far, I have a week’s worth of faces. Some are caricature-ish, some more realistic, but so far, they are all products of my imagination. Maybe I’ll use reference photos later on. My aim is that, after 30 days, I’ll have a tiny sampling of the infinite variety seen in the faces of the human family. Wide lips, thin lips; round eyes, snake-like slits; hair curly, wavy and straight; double chins and graceful ones; soulful looks and piercing ones. Thirty diverse and divinely human faces.

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I’m using simple tools—colored pencils, an F drawing pencil, and a micro-point Uniball pen—all scattered on the end table next to me as I sit on the sofa with a lap desk for support. Oh, and a sharpener too. But nothing to interfere with this simple process. Ten, maybe 15 minutes and done.

I have no plan after the 30 days. Maybe continue doing faces. Maybe fill the whole book with faces. Possibly start a new theme. I don’t have a page count, but it is a thick little tome, and I do want every page to ring true to me, and to have a compelling, cohesive quality. For now, there are 23 faces waiting to come to life in this wee book. More to come.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted and may not be reproduced without express written permission. Copyright 2018 Laura Hunt

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Body of Work, New Art

Memory-Jogs and the Year-End Review

Even though I’m not so much a looking backwards individual as I am a looking forward one, I do find a review of the previous year fundamental to goal-setting for the year to come. So for a start, I’ve assembled this slide show of some of my 2017 work.

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Some of these works are still in my studio, but many of them have found themselves in new homes where I hope they provide lasting pleasure. The memory jog was fun for me. The images of work created months ago remind me of how rewarding it is to create something that never existed before, and to pass it along to someone who will find meaning in it for years to come. I appreciate immensely the connections that art makes possible.

Besides a visual review of 2017, I also did a written one. I won’t bore you with details, but I’ll share a few of the highlights, some of which didn’t seem significant until seen from the vantage point of 2018.

  1. Cleared out, renovated and set up the workshop
  2. Began creating assemblages (made possible by #1)
  3. Created 36 works (22 paintings and 14 assemblages).
  4. Accepted into four juried shows

Now, looking forward to the broad expanse of 2018 (doesn’t the year ahead seem big and forever?), yes, I have goals, like creating 40 works, adding the 3D work to my website and increasing my email list of art lovers. But one of my most daunting goals is to focus on consistency of expression, to better establish my style and unique voice–challenges many artists encounter! I’m envious of those who make it look so easy.

My heartfelt thanks goes out to all of you for your encouragement and moral support this past year. It means the world to me, no matter what form it took, whether you gave a social media thumbs up, volunteered your help, joined my patronage program, attended an exhibit, subscribed to my newsletter, read a blog post, shared an event or purchased a piece of art, be assured that I notice and feel your kindness and friendship.

A happy, healthy, and blessed 2018 to all of you.

Join me on Facebook and Instagram for behind-the-scenes peeks and first postings of new work.

All art is copyrighted and may not be reproduced without express written permission. Copyright 2017 Laura Hunt

 

 

 

 

 

 

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New Art

Blue Ribbons and red dots

Gallery Night back in September was exciting for me. I participated in two art events, Art in the Garden and Preservation is the Art of the City. Imagine my surprise and delight when I walked into Art in the Garden’s exhibit space for the reception, and spotted a big ole blue ribbon on Aspen Energy! Recognition is, well, fun.

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Historic Fort Worth’s Preservation is the Art of the City show was exciting as well. Six of the ten pieces I exhibited enjoyed red dots. The Grove, Birdhouse Love, Dewdrops on Canyon Wall, Blue Mystery, and Into the Woods are now gracing the walls of new homes. Enjoy the work. I’ll be back soon.

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