The concept for a new painting often arises out of the piece I am currently working on. Completing a painting that features the very stable, quiet and calming forces of horizontal marks generates thoughts about a more motion-filled and cacophonous design, with criss-crossing and arcing lines. (Click on images to see larger versions.)
Or it may give birth to ideas on how to push the same concept even further. A painting that in its final stages partially overcomes the background may set me toward thinking of a more open, airy design—or other ways of using the background to influence what happens at the end. A black background creates a completely different experience than a white one, and I like to test them both.
Color does a lot of heavy lifting in communicating the emotional tone of a work, so I’m sometimes drawn to pulling from a different part of the color spectrum for a subsequent piece. Maybe the last piece I completed incorporated reds and oranges for a hot and fiery mood that generates excitement. The follow-up might be a larger painting with a similar color palette, with the larger canvas encouraging an even bolder approach. But it could also mean that cool, quiet blues and greens form the basis for the next work. I followed Fire Dance, for example, with Tsunami.
I’m not saying that external stimulation doesn’t generate ideas for paintings—it certainly does. Trips to museums, shows, galleries and even a YouTube video session often create a whirlwind of concepts that might eventually make their way into my work. But even so, they must go through an internal blender—no, not a blender—more of a butter churn–before they feel authentic to me.
Truly, ideas come from a deep and infinite universe, both the observable one of nature, objects and humanity, and the invisible one of the heart, the emotions and the intellect—and ultimately from the Creator who has embedded deep within us the power to create.
All art is copyrighted and may not be reproduced without express written permission. Copyright 2017 Laura Hunt